Reality is Like A Dream in Where Are You Going, Where Have You Been by

creation is Like A Dream in Where Are You Going, Where come You Been by Joyce Carol OatesJoyce Carol Oates intrigues ratifiers in her fictional piece Where Are You Going, Where Have You Been by examining the life of a fifteen year old girl. She is beautiful, and her hold is Connie. Oates lets the referee know that everything nigh her Connie had two sides to it, one for home, and one for anyplace but home (27). When Connie goes out, she acts and dresses more mature than she probably should. However, when she is at home, she spends the legal age of her time absorbed with day intakes about the boys she met(28). This daydreaming behavior is observable to the endorser throughout the story. From theories about dreams, theories about subconscious thought, and the clues that Oates provides, the reader is lead to turn over that Connies understand with Arnold Friend is a nightmare used to arouse her to the consequences that her behavior could result in. Have you ever regardd a dream or a nightmare that observemed like reality? Most tidy sum in the world today would say that they have. Although this realistic dream experience does not occur often, when it does, clear distinctions are hard to make among the dream and reality. Theories exist that explain dreams as our subconscious thoughts delving into our minds to make us reflect upon feelings or experiences that we neglect in life when awake. Connie often flirts with her feelings about familiar encounters. In fact, Larry Rubin believes that Connies intense desire for a sexual experience runs head long into her innate fear of having such an experience (58). Connies tendency to eventually dismiss these fears forces the reader to make the radio link between her experience wit... ...tomy between reality and dreams quite well throughout her piece. She provides the reader with two ways to experience the story either as reality or as reality that turns into a nightmare. This dichotomy that Oates creates al lows the reader to escape this story, and allows this story to end (Hurley 374). The end of the story shows Connie entering the modernistic world of experience, and Oates wants the reader to sense her fear. Oates intricately provides the reader with clues that help see why Connies experience with Arnold is just a nightmare. She also allows the reader to see how this nightmare is meant to scare Connie into making the realization that her decisions have consequences. I hope that anyone reading this learns from Connie that not everything we do is good for us, and we have to presuppose about the consequences of our actions, whether good or bad, before we act.